Paul Jessop, Technical Director IFPI
| Slides
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| Part 1: What is the IFPI? Disclaimer. Rights of producers and artists.
Private copying. Digital Recorders. Pricing models. Aren't record companies rich enough?
| MPEG 2 1.3 Mbytes,
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| Part 2: Money in R&D, Perception of buying IPR or plastic, Goal is to license copying, Authorizations to copy, Strength of measures, Draft Copyright Directive EU, Types of measures, Unilateral measures, Macrovision
| MPEG 21.4 Mbytes, 5'48"
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| Part 3: Bilateral measures, Serial Copy Management, Analog copying, Embeded signalling and watermarking,
Exemptions to copy restrictions, Market vision, Opportunities
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MPEG 21.2 Mbytes 5'08"
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Markus Erne, ETH Zurich | Slides
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| Part 1: Requirements for embedded watermarking | MPEG 2 1.2 Mbytes
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| Part 2: Collusion attacks, .. | MPEG 2 730 kbytes
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| Part 3: Three techniques: time domain, frequency domain (and spread spectrum)
| MPEG 2 1.1 Mbytes
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| Part 4: Spread spectrum | MPEG 2 860 kbytes
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| Part 5: Encoder implementation of spread spectrum
| MPEG 2 950 kbytes
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Don Jerrard, Backer and McKenzie
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| Part 1: Introductory jokes | MPEG 2 300 kbytes
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| Part 2: IPR, balance between creators and users, new equipment may not sell | MPEG 2 750 kbytes
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| Part 3: Extent of right to restrict copying, global differences | MPEG 2 780 kbytes
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| Part 4: What is fair practice? | MPEG 2 500 kbytes
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| Part 5: Circumvention, licences, patents | MPEG 2 730 kbytes
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| Part 6: licences, patents, Macrovision
| MPEG 2 1.2 Mbytes
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Audio from AES Copy Management Workshop